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  • PAR 56 Black

    Install several of these lights around your stage to create compelling lighting environments like you have never seen before. These lights work great on just about any stage.

    Available with 500w VNSP, NSP, MFL, and WFL lamps

  • PAR 64 Silver

    The next time you are setting up a stage you won’t want to be without the Par 64 lighting fixture in silver. This high-quality light has the power you need to effectively light your stage. Whether you need a single light or dozens, this amazing product gets the job done time and time again. It works perfectly with range of stage setups and can be used together with other lighting products. The elegant black design is also meant to not interfere with the rest of the production, allowing the light to get the job done with minimal hassle and simple installation.

  • PAR 64 Black

    The next time you are setting up a stage you won’t want to be without the Par 64 lighting fixture in black. This high-quality light has the power you need to effectively light your stage. Whether you need a single light or dozens, this amazing product gets the job done time and time again. It works perfectly with range of stage setups and can be used together with other lighting products. The elegant black design is also meant to not interfere with the rest of the production, allowing the light to get the job done with minimal hassle and simple installation.

  • ETC Source Four MultiPAR

    High-output flood lighting. ETC’s Source Four® MultiPAR® fixtures revolutionize that old theatrical workhorse: the striplight. MultiPARs are a new breed. Lamped with the HPL and featuring the space-saving advantages of Source Four PAR™ design, MultiPAR’s patented HPL lamp offers amazing energy efficiency, giving out more illumination than a 1000-watt par lamp with more than 40% less energy use. The minimalist elegance of the ETC Source Four PAR design is maintained throughout the MultiPAR fixtures, allowing easy lamp replacement and a beautiful factory focus, from the first moment you use them.

    We stock the 8′ 12 lamp version wired to 4 circuits of 3 lamps each. Available with either 575 or 750 watt HPL lamps and any Source Four PAR lenses.

  • GLP Impression X4 Bar 20

    The impression X4 Bar 20 is a high performance batten that incorporate 15 Watt RGBW LEDs packed tightly to give a full line of light. The X4 Bar 20 uses 20 LEDs. High quality optics ensure a smooth, homogenized output across the batten through a broad pallet of pastel and saturated colors, complimented by GLP’s exceptional dimming which ensures that there is no color shift, just smooth even fades. DMX control offers full pixel mapping capabilities, whilst both units feature a 7:1 zoom ranging from 7 to 50 degrees, giving effects from a narrow angle light curtain to a wide angle washlight.

    The X4 Bar also features a motorized tilt, for fast refocussing or to be used to add more dynamics to the output beam. Multiple X4 Bar units can be aligned, and maintain consistent pixel spacing between adjacent units.

  • Clay Paky Mythos 2

    Mythos is a highly advanced form of hybrid light: first of all, it is an excellent 470 watt-lamp spotlight, which produces an outstanding large light beam, featuring a zoom that ranges from 4° to 50° (1:12 ratio).

    The light beam is sharp, with perfectly defined edges, from the first millimetres after the front lens right along its entire length. The zoom is optimized for focusing, which is separate from that of the fixed and rotating gobos. Its movements are smooth, fast and very quiet. Mythos also features a completely redesigned indexed visual effect disc, which may be superimposed on all the gobos, both in and out of focus.

    But Mythos is also an extraordinary beam light, allowing you to switch to a minimum fixed beam angle of just 2.5°. A large, very dense, 160 mm-diameter light beam leaves the Mythos’s front lens and remains parallel for its entire length even at great distances.